Archive for April, 2010

Going Global with SEM – Maximize Your Professional ROI

April 20, 2010

One of the things I mentioned in my previous series on Global SEM is that there is no such thing as going global. Going global means going local in 25 different ways. This holds true not only for brand campaigns, but even more so for broader marketing initiatives.

Since I wrote about supporting a global brand re-launch with paid search last Fall, I have had the pleasure of working with our international teams on a broader scope of marketing initiatives, and I thought it would make sense to jot down a few thoughts in the hopes of making others’ efforts more successful.

Let me first take a step back and state for the record that the longer I work in search marketing, the more firmly I believe that as search marketers, our ultimate charter is to support the business goals of the company or entity in which we operate.

As I begin to work more with marketing teams in India, UK, France, Taiwan, Hong Kong and other markets, I am constantly reminded that everything – business objectives, marketing goals, even measures of success (not to mention language and culture, of course) – vary widely between international markets, and each market requires essentially a custom built approach to SEM.

As a result, if you’re like me and work in a resource-conscious central marketing environment, it’s paramount to build a strategy that allows you to work efficiently and effectively to deliver search marketing services to a vide variety of markets, prioritizing efforts appropriately to support a diverse set of objectives across the globe.

To that end I’ve compiled a short list of questions you should be asking your international contacts before you get started.

The first two questions will help you qualify and prioritize your regions and determine what level of effort you can afford to invest in them:

What sort of budgets do you have set aside for paid search this quarter/year? As cold as it sounds, this needs to be the first order of prioritization for your efforts. You’re a very busy person, and budgets are a good indicator of commitment to the channel. As a secondary data point, you might ask what percentage of their total or online marketing budgets they’ve set aside for paid search. This approach helps normalize for market size and gives you an additional data point to consider.

Who’s in charge of paid search in your marketing team? Again, not so nice, but your ROI on teams with a dedicated search- or direct-marketing lead will generally be much higher than regions where there is a single point of contact for all things marketing. Don’t be a hero. At best, hitting a home run with a $25,000 SEM budget in Iceland isn’t going to get you a promotion, and at worst, if it keeps you from focusing on important initiatives in the UK, for example, it’s downright irresponsible.

Once you have established your priorities as they relate to regions or countries, the next three questions will help guide you toward building a winning SEM strategy in your target markets:

What are your most important marketing initiatives this/next quarter/year? This may sound like a no-brainer, but again, our job is to support the business objectives of the region. Don’t make the mistake of trying to jam corporate marketing objectives down the throats of the regional teams. It won’t work and it will only serve to annoy your international counterparts. Once you have built a trusting business relationship you can then begin to introduce other priorities into the mix.

Do you already have a relationship with an SEM agency, or a digital agency that runs paid search programs for you? You may have an agency or in-house team that can execute on a global scope. That’s great, but it won’t matter if the region has a comfortable relationship with a somewhat capable agency. Don’t attempt to displace the local agency unless you or your shop holds a significant advantage in terms of capabilities or cost structure. Your credibility is at stake here – don’t blow it. Believe me, you’d rather work with an established agency at first than force a relationship with an unwelcomed in-house team based in the US. Be patient.

What do you consider to be marketing success? Again, a simple question, but different markets have varying objectives and thus potentially different definitions of success. Here in the US, we’re fixated on cost, revenue, conversion rate, profit, and ROI. In emerging markets, for example, these metrics may not matter. Unique visitors, cost-effective referrals, market share, these are some of the KPIs I get when interviewing international teams, and these are what we should be focusing on in such markets.

Like most topics, the key here is to start with the basics, build strong relationships, and take it one step at a time. The gaps that exist between you and the regions as far as language, culture, budgets, business objectives and success metrics dictate a measured, prioritized and open-minded approach to international SEM. Good Luck!

Mystere Solved

April 20, 2010

I was in Vegas a while back and had the foresight to set aside a few hours of my otherwise busy weekend for a Cirque du Soleil show. This time around I thought I’d go old school and head to Treasure Island to catch Mystere, the first Cirque show to take up residence in Sin City. It has withstood the test of time because it has all the elements that make Cirque a world-class spectacle – humor, music, mind-bending acrobatics, unbelievable athletes, and acts that absolutely attack your senses and sensibilities. If you’re going to a Cirque show for the first time I definitely recommend you start with this one.

The first element of the show to completely disarm me came as we entered the arena. Before us stood an usher of sorts, a charlatan in disguise. A somewhat insane-looking older gentleman in a mussed tuxedo with a pile of white hair on his head. The look on his face said ‘I’d like to help you find a seat, but I’m not quite sure what I’m doing’. For better or for worse, we were approached by another usher who politely showed us to our seats. In hindsight this was good fortune, for as soon as we sat down it became clear that the charlatan usher was leading various guests around the arena on a wild goose chase, much to the amusement of the previously seated guests in the arena.

Another amusing element to the show was the ‘baby’. She came out early in the show with some of the other bizarre creatures that inevitably inhabit the stage of a Cirque performance. As part of the act she chooses an audience member in the front row as her ‘mama’. As the baby begins to play with her new mama, you can sense a level of engagement with the audience that is unique to the Cirque experience. Sure enough, as the show goes on, the baby reappears at select moments, soliciting attention and companionship from the unsuspecting ‘mama’ in the audience. There’s a very funny twist at the end of the show that I won’t spoil here.

After the introductory elements and the music set the tone for the ensuing drama, there were then a string of acts so unusual and unbelievable that they left my senses completely drained for the remainder of the evening.

The first was the aerial cube, which apparently has been a staple of the show since 1995. Visually speaking, the act is remarkable. The cube, which has no body, only a frame, spins on the various body parts of the performer with an impossible display of color that leaves the viewer nearly hallucinating before it’s over. The difficulty of this act is almost completely forgotten due to the brilliance of the visual effects it produces.

‘Hand to Hand’ is an act I’ve seen adapted into at least one other Cirque show (Le Reve, I think). In this act, two men perform an intertwined act of balance and strength atop a revolving sphere. Watching this act it’s hard to believe it’s real. The two men move impossibly slowly and precisely, hoisting each other to balance on a hand or a foot of the other, then somehow reverse positions without losing their grace of movement. Truly impressive.

The other act that really captured my imagination was the Trampoline and Korean Plank. This act epitomizes what I understand to be the Cirque experience. Several dozen acrobats weave around the stage and take turns catapulting each other into space with the planks. What makes this a true Cirque experience is that not only are the acrobats amazingly skilled and precise, but clearly much work has gone into making the procession of acrobats visually compelling. It’s hard to put this into words, but the movement of the acrobats around the stage and through the air creates intricate visual patterns that make the experience much more rewarding than the individual feats of the acrobats themselves. You can’t watch this act without feeling both the compelling skills of the performers as well as the choreography behind it. That’s the Cirque spectacle in a nutshell.

So, all in all a great time! I think I’m finally getting the hang of this whole Cirque phenomenon. Now that I’ve been to a few shows, I have a much better feel for what it’s all about. The more shows I see, the more I’m able to stop trying to figure out what’s going on, and instead to focus on and truly enjoy the performance in front of me in its entirety.


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